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George Antheil: La Femme 100 T​ê​tes

by David Albee

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IV. Floating 00:39
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V. Furioso 00:20
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VI. Floating 00:54
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VII. Sad 01:12
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IX. Sad 02:08
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XV. Slowly 01:24
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XX. Faster 00:12
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XXI. Slower 00:37
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XXIV. Slowly 01:42
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XXXII. Sad 01:30
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|| Burn-on-demand CDs of this CRi reissue are available at our website: www.newworldrecords.org/products/george-antheil-la-femme-100-tetes ||

Notes by Charles Amirkhanian

On September 20, 1933, at the Second Yaddo Festival of Contemporary Music in Saratoga Springs, New York, composer George Antheil gave the world premiere of his La Femme 100 Têtes preludes. He had composed the music in the southern French coastal town of Cagnes-sur-Mer near Nice on the Riviera, in the Winter of 1932–33. He had lived there with his Hungarian wife, Böske, since June of 1932 on a Guggenheim Fellowship which thankfully had rescued him from the brink of financial collapse and had returned the couple to their commonly-adopted country after a brief interlude in the U.S.

This unusual set of visionary etudes, inspired by La Femme 100 Têtes, a book of collaged etchings assembled by the surrealist painter Max Ernst from their original sources in volumes of nineteenth-century picture storybooks, and each given subtitles with hauntingly suggestive overtones, typifies Antheil’s music during what the composer himself referred to as his earlier “mechanistic” period (1922–25).

In a letter written September 7, 1933, from the composer’s hometown in New Jersey to Mr. Henry Allen Moe, the longtime custodian of the Guggenheim program, Antheil refers to these preludes as “short, terse and steely”—representing “the subconscious and strange feelings of my childhood in Trenton.” (Shades of Jack Duluoz, the young protagonist in Dr. Sax, Jack Kerouac’s novel of intense autobiographical reminiscence, centered on his adolescence in industrial Lowell, Massachusetts.)...

credits

released January 1, 1984

David Albee, piano

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Composers Recordings, Inc. Brooklyn, New York

CRI (Composers Recordings, Inc.) was founded in 1954 by Otto Luening, Douglas Moore and Oliver Daniel. CRI was dedicated to the promotion of new music by American composers, releasing over 600 recordings on LP, cassette and CD over its 49 year history, New World Records assumed ownership of CRI in 2006, since which time its entire catalog has been digitized for streaming, download & CD-R purchase. ... more

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