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Juli​á​n Carrillo: Mass for Pope John XXIII (1962) in quarter tones

by Julián Carrillo

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about

The Mass For Pope John XXIII was composed during the final period of Carrillo’s life, when he was known and even revered throughout the Western world. Carrillo enabled the whole orchestra to play his music by composing in a neo-baroque concerto-grosso-format, whereby the “classically” tuned orchestra represented the ripieno and the new sonido trece was used by the smaller concertino group. The Mass was his penultimate work, composed when he was in full command of his expanded musical resources. It is regarded as his most important and successful composition. It has been suggested (Gerald R. Benjamin, “Julian Carrillo and Sonido Trece,” Inter-American Institute for Musical Research Yearbook, III, 1967) that its restriction to just two classes of small intervals—quarter and semi-tones—is the result of an effort to
express more cogently a very pious and hallowed text. The music is sung with remarkable precision and flexibility by a group of male voices. It was recorded in Paris under the supervision of the composer himself.

credits

released January 1, 1969

This recording was made possible by a grant from Miss Dolores Carrillo.

Cover by Judith Lerner

Recorded by Philips

Produced by Carter Harman

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all rights reserved

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Composers Recordings, Inc. Brooklyn, New York

CRI (Composers Recordings, Inc.) was founded in 1954 by Otto Luening, Douglas Moore and Oliver Daniel. CRI was dedicated to the promotion of new music by American composers, releasing over 600 recordings on LP, cassette and CD over its 49 year history, New World Records assumed ownership of CRI in 2006, since which time its entire catalog has been digitized for streaming, download & CD-R purchase. ... more

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